Just as the titles start rolling, we enter the life of writer Mort Rainey (Johnny Depp) quite secretly through a window in his secluded house across a lake. Going through a rough divorce after he caught his wife cheating on him, Rainey’s daily life is nothing but moments of ennui. Apart from the view of a lake and what used to be a nice garden, there is nothing more left in the rusty life of the bestselling author.
But of course, life becomes much more interesting when John Shooter (John Turturro) knocks on his door accusing Rainey of “stealing his story”. Rainey takes a firm stand on his story being his original work and was published two years before Shooter wrote the story. Shooter accepts the possibility and asks for a copy of the magazine. He even agrees never to bother Rainey again if this is ture. But if Rainey fails to present any such proof, he has to publish the story with a different end the Shooter suggests and give him his due credit for it.
Things look fair and square in the start. But they never are. There are perks in this deal and all of them are paid in blood. By the time Rainey learns the truth behind Shooter and his story, his life is flipped inside out. And also the lives of the ones who got involved.
There are very few films adapted from the work of Stephen King that I am not fond of. You sink deeper and deeper in the mystery as the story unfolds and by the time you reach the end you are a character in the film. You are not a third person but you are in the film. The climax in particular of such films is of utmost important. As Rainey says correctly, “The only thing that matters, is the ending. The most important part of the story is the ending. And THIS one, is perfect.”
At times I thought some things were too obvious. The mystery behind the story of John Shooter has its hints everywhere in the film. Some prefer to uncover things as the movie proceeds. Some believe it is better if it strikes you right in the end and makes you wonder, where did it come from? I belong to the second category. In such cases I like to watch the movie again and find out the subtle hidden details that signaled that something weird is coming. In this one, I could unravel the mystery in the second scene with Shooter itself with the mention of Cigarettes. Which brings me to an interesting note on editing. Show something for too long and people know what you are aiming at, keep something too short and people forget that it ever happened. A way to get away with this one is to emphasize your important lines, some shots from some other perspective right in the end as your point of view character uncovers the truth.
There has to be a special mention to the DoP of the film, Fred Murphy. The film never goes into a low key look. Yet it manages to scare you shitless in broad daylight. There are simple shots which convey the depths of the story very eloquently visually.
Johnny Depp is so freakishly convincing that I was pretty much on his side from start to end. I think that is the absolute purpose of a movie of such gravity. Overall, the movie has not received a warm response from everyone. Knowing that it is a Stephen King novel based film, there is a big shadow of expectations that follows. I haven’t read the book. But the adaptation, as a separate entity has given me a lot to learn and a lot to enjoy.